written in an outdoor studio overlooking the mallorcan countryside, baby prince (wolf + lambs gadi mizrahi) and crew love newcomer navid izadi portray a moment of sun drenched inspiration on the last dance ep.as if one mind-boggling new collaboration wasnt enough, the last dance ep features a remix by fellow crew love members tanner ross and deniz kurtel who turn out an efunk meets hip-hop in outer space version of the title track.

out on march 18th, the ep contains excellent remixes of lamour parfait by baadman, the very young and impressive 17 years old french dj, sticky k, the phantom and ruben mandolini who offers us a housey version of the song.

the vulva string quartett is not a string quartet but hanno leichtmanns moniker for his house music project im so blase is the brand new imprint of berlin producers and long term colleagues hanno leichtmann and nicholas bussmann aka the vulva string quartett and nicholas desamory. the label is named after their favorite song by the red krayola: im so blase

musik gewinnt freunde will kick off the year 2013 with raw verse, vid vai, my head und yokoo.

while fetsum is about to take the us by storm (after a california tour, in march hes going to perform at the sxsw festival in austin and at the pre-oscars party at the villa aurora in la) sonar kollektiv releases four seminal remixes of his song letters from damascus. one of the centre pieces of his current album the colors of hope is not describing the political situation in syria, its more of an autobiographical tale about the golden voiced german-eriteans life.

the original motion picture soundtrack for quentin tarantinos *django unchained* as double 12 inch vinyl in gatefold sleeve.

blue hawaii, arbutus records and many of their montreal counterparts all began with the same breath in early 2010. to date blue hawaii has released an 8 song ep: in may of that year, blooming summer (arbutus records 2010) was recorded following the pairs travels in central america. it frames a time of warmth and novelty, featuring dense female harmonies, tape saturated synths, guitars and drum machines. eventually ra- returned to her role in braids, touring constantly, while ag– moved to europe, treading deeper into dance music, electronics, and production. the two decided to make untogether in 2012, they began recording on new years day in vancouver and intermittently worked on the project until summer broke in montreal. the music followed their winter in canada, it became colder, more introspective. it again captured a time and place, but instead of a dense saturation of love and excitement, this record reflects the vast world of self-awareness and delicacy.

as we are beset by the darkest of seasons, let sequencias provide a score to fit the mood. presented in two parts, *hybrid furrows* marks the second transmission of the mysterious healing force project from treviso, italy. the first part is a dense, introspective overture. a ceaseless minor key drone lays the path for deep thrumming gong-like pulse and shuddering percussive textures. a song without a coda, a dream without resolution, it simply dissipates like fog—never revealing it’s center. the second part is similarly monolithic in nature, but crafted more for movement than meditation. it is vicious arpeggiated psychedelia, sharp enough to cut into the deepest recesses of your psyche. both tracks were recorded live in one take. vinyl only.

produced by alice russell and tm juke! to dust follows the acclaimed album >pot of gold<. features the heartbreaker single!

the opener is a traditional jola rhythm, typically fast and energetic, with tuned, talking and kit drums swarming over a kind of skeletal downhome guitar, somewhere between blues and disco. the mboup brothers make a soaring, impassioned plea for an end to division and bloodshed in their casamance homeland. then a more deeply dug-in, spaced-out funk, edgily spun from a serer rhythm, underpinning mbenes reflective song about parental sacrifice. sama yaye, my mother. both with full instrumental versions.

after appearing on some of big strick cuts like alpha & omega and resivior dogs the newest addition to the 7days ent camp, at 17 years of age, brings his first self titled e.p. a four song masterpiece that is sure to move the dance floor.

neo-klassik trifft auf breakbeats und verzerrte gitarren: erstes album des engländers seit sechs jahren.
180 gramm doppel-vinyl, inklusive cd-version des albums und booklet.

here we fully available this fantastic ep, exclusive vinyl of our great artist aldo cadiz, working well in the worldwide productions sosa ibiza & andres fernandez aka kanario, ep consists of four major sections of a fairly impressive to sound more analog and underground

christopher rau has been impressing people since a while! here three tracks that impressed the junk yard connections crew a while ago on a mix tape, not knowing what it was, or who it was! finally they tracked down its origins and found out that it was unreleased tracks by christopher! now finally these tracks see the day light! inter alia, *the green bean*, which has some of that sexy swampy house vibe like theo parrish or stl can do. on the flip its *some song* with its more techier vibe, somehow with an atmosphere reminding of model 500s classic starlight. and last but not least the b2 track no chatter with its up beat house vibe. amazing tracks that are the first tracks on the label from outside the jyc crew. tracks that are here to stay on valuable wax. another cool junk yard connections release.

limited triple-vinyl salespack from hamburg based turnbeutel label, contains releases # 3, 5 and 7.

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.

wie der bootsmann auf der scholle sitzt the micronaut inmitten der tosenden klangfluten unserer zeit. mit versonnenem lächeln lauscht er dem rhythmischen murmeln, angelt hin und wieder einen akkord heraus, mischt ihn mit den bunten fantasiefrüchten seines kleinen eilands und kocht daraus sein ganz eigenes süppchen. diesmal serviert er uns einen durchweg lebensbejahenden hörgenuss namens what else, in dem sich männlicher und weiblicher gesang über entspanntem aber erbaulichem groove vereinen. im remix dazu orientiert sich mollono.bass am song-orientierten charakter des originals, bringt das ganze aber etwas mehr den punkt, an welchem der sound auf der tanzfläche optimal ist. die b-seite fischt dann in den gründen des friedfisch, und zieht zwei nie gehörte remixes zum gleichnamigen debütalbum von the micronaut aus der tiefe. da ist zum einen die einlullend-hypnotische dub techno nummer der lake people, die mairenke auf stehendem subbass anrichten. und zum anderen das perlende klangspiel und die sprudelnden, gebrochenen beats von map.aches version der rotfeder

one of south africas finest tag teams, monocles & slezz, are up next on foliage records with a delicious slice of deep dance, only love. the pair is backed by brit house producer andy compton, of the rurals fame, and accomplished us vocalists tantra zawadi and dana byrd - a soulful dream team by any stretch of the imagination. monocles & slezz original production glides on slick 4-4 drums and deep, shimmering keys, quickly pulling the listener into zawadi and byrds mesmering song n spoken word interplay about perfect, heaven-on-earth love, and a run of sweet, jazzy guitar and vibes solos.

after his groundbreaking european-wide hit remix of asaf avidans >reckoning song / one day< the berlin dj & producer wankelmut releases his debut single on get physical music / poesie musik. with the great australian singer emma louise by his side, he presents > my head is a jungle<. wankelmut takes his >one day< sound to another level and delivers a powerful 124 bpm tech house groover with nice added guitar and vocal elements that make this an easy recogniseable >must have< tune for 2013

doubleheart, the collaborative project of two of scotlands longest serving creative individuals in electronic music - jd twitch (optimo espacio) and neil landstrumm. taking its name from title song *roots* - a sub heavy, tension building track that re-imagines jamaican dub poet michael smiths original from the seminal 1982 album ‘mi cyaan believe it - the ep as a whole works as an analogue exploration into the rawer side of dance music. working together allows these veteran producers to fuse their individual styles and musical sensibilities, combining landstrumms raw aesthetic and mastery of hardware manipulation with twitchs unrivalled knowledge of what makes a dancefloor tick. spawning from the depths of their imaginations and machines are 4 club-ready tracks brimming with anticipation and menace. although taking its inspiration from 80s electro and 90s acid & rave, the final result is far from a throwback to a halcyon, bygone era. instead, they have managed to carve out a distinctive sound the bleeps and bangs its way firmly into 2013.
dj support from optimo, ben ufo, joe goddard (hot chip / 2 bears), nightwave, daniel avery, lando kal, sinden, clouds, west norwood cassette library, medlar, hot city, tayo, auntie flo, sei a ...

>love has made me stronger< ist eine fantastische neuendeckung eines albums aus dem jahr 1976! die sängerin und harfenistin carol kleyn spielte in den 70er jahren mit größen wie john lennon, robert plant, phil spector graham nash, anne murray oder gregg allman. ihr album ist eine tolle evokation von west coast folk-rock sounds der 70er jahre, carols stimme erinnert an joni mitchell und essra mohawk.

knox is the band brainchild of brother-sister duo nic and eliza coolidge. hailing from boston and new york, the siblings released their second ep, here, on december 3rd, and it is a big step forward for the band. formed less than two years ago, in march 2011, knox finds themselves working with the likes of john tejada and kuxxan suum on this release, and the outcome is stunning. here is five-song set full of ice and echoes. it runs as close to the third rail of impersonation, but flies away so quickly that knox sounds contextual and perfectly fresh. the influences from james blake is clear: the swooping, bomber bass and half-timey compressed dub beats, here could also easily be an inventive b-side to the latest how to dress well album. but, with the limited scale, interspersed remixes and foundling status in the scene, i would say it is likely a more impressive feat. the ep as a whole is desolate. expansive spaces filled with cold little beats and vocal washes, exploring in the course of five songs an icescape aesthetic with a sense of place usually reserved for full-length albums. the remixes blend so seamlessly that i didnt even realize they were during my first, casual listen.

today we bring you the return of atelewo (osunlade & the pasta boys) with a classic follow up to the already well known label staple new day. this time we move a little further with a more percussive, brass driven soul song about what else but love. infinity proves to continue with solid production and sound of the teams collaborative efforts. sendai is a simple mood based groove honoring and acknowledging the loss in the tsunami of 2011. a simple gesture of remembrance this one adapts a local newscaster explaining the devastation and sorrow. as always we here at yoruba hope that this new release not only starts the new cycle of 2013 off well, but that it brings forth a new direction. enjoy!

double 12 inch lp, 1 white + 1 black vinyl in gatefold jacket. digital download code included.

fall back is the first single from the forthcoming debut lp on dfa records. the track is 8 minutes 30 seconds long. if you like factory floor, you will like this song. if you dont like factory floor, you will now. the b-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by dom, gabe & nik. the lp is due for release may, 2013

boogie nite debuts on glenview records after his fantastic 12&#8243,, “earth to mickey” on lumberjacks in hell a few months back. these four original tracks, “shine , “gotta alot of static , “the happy song” and “runnin” were all recorded at boogie nite urban legendz studio in chicago.

re-release des aphex twin-albumklassikers von 1995. nagelneue auflage auf 180g vinyl mit downloadcode.

wie unglaublich gut die floor-kompatible adaption von dillons sperrig-schoenen song-kunstwerken funktioniert, hat schon die erste remix-ep ihres gefeierten debut-albums this silence kills bewiesen

delano smith follows his debut full length for sushitech by gliding along the berlin/detroit axis back to his roots.

new 2012 remastered reissue on heavyweight vinyl of this classic 1971 folk-rock album by lindisfarne. comes in gatefold sleeve, cd-copy of the full album included.

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

ezlv craft playfully luxurious extended-mix radio hits from the bi-curious, bygone dance-meets-soul era. its sound stream in song form, luscious and light, brought to juicy lime-life with cool-curated club samples, late 70s horn porn, and elegant dj creationism.

in 2007 nick curly and marc scholl started cecille records, 2008 the sublabel numbers and now 5 years later comes cic (sik). cic records will be melodic and song like. the first release guilty pleasures ep comes from the portugal based artists johnwaynes which already released on cecille in 2011. the ep starts with >wild west<, sik vocals accompanied with a dark groove and a touch of special. second track >show me that you mean it< together with the voice from stee downes shows the melodic side of cic and tells a story about meaning and truth. third track >wet< starts with a naked direct groove and the offensive vocals from sonja james.

the documentary-moviemaker jörg adolph and his cameraman luigi falorni are telling the story of the mystic 33 kilometres from dover (uk) to calais (france). the mount everest for long distance swimmers.
for the belonging soundtrack >solo-swim< the notwist worked with dissected guitars and electronic, but they also let nick drake and his acoustic guitar cross the channel. because the music of klimek played an important source of inspiration for that song, the notwist asked him for a remix. martin gretschmann aka console added one unreleased song.

seasons is produced by carlos nino and features many great are sts from the l.a. region such as dwight trible, the life force trio, miguel atwood-ferguson and mark de clive-lowe. artwork made by machine.

das vinylformat des gleichnamigen debütalbums des quartetts poor moon aus seattle, benannt nach einem canned heat-song. poor moon bestehen aus den beiden fleet foxes-mitgliedern christian wargo und casey wescott sowie den beiden brüdern ian und peter murray (the christmas cards).<br /inklusive >cd-kopie des albums.

der song true rastaman gehoerte zu den wichtigsten reggae-hymnen des jahres 1976 und wurde somit zum essentiellen reggae foundation tune. zur unterstuetzung der fred locks >reggae legends< 4cd box (vpcd5007) und der lp >black star liner in dub<(vprl5009) wird die single, hier mit der lang verloren geglaubten dub version als b-seite, erstmalig veröffentlicht!

botox present >basement love<, the first part of their second album >sans dormir<. two years after their previous lp >babylon by car<, cosmo vitelli and julien briffaz decided to unveil this new project through six different moments - call them eps - like six volumes forming a single story, each one being released every two months. the slow title-song >basement love< is released as a way of introduction, along three dancefloor remixes that lift this basement up in the air.

lets play house finishes its first full year with its 12th release, which, like the first—runaways indoor pool ep—features one original track and three remixes. the a1 comes courtesy of river & phoenix, a new nom de disque of australias young edits. earlier in 2012, he released his debut ep—castle rock—on editainment, hence the playful moniker. this song, however, is not an edit.

zierliche dame mit gewaltiger soul-stimme geht auf reisen, macht bei befreundeten musikern station und kommt schließlich mit 4 stücken feinster tanzmusik auf dem acker an - so die zusammenfassung der aktuellen geschehnisse. tatsächlich handelt es sich hier um 3 unabhängige produktionen und einen remix, die zum song sunbelt regret von miss natnat entstanden sind. dementsprechend abwechslungsreich geht zur sache. wolfgang lohr entfaltet ein gewitztes wechselspiel zwischen klassischem song und elektronischem abgang, mal steht sein butterweicher house groove im vordergrund, dann wieder gehört das stereopanorama voll und ganz der stimme von miss natnat. zusammen mit tinush schlendert sunbelt regret noch etwas entspannter heran, hier kommen die loungigen pianosounds besonders gut zur geltung. wenig überraschend und doch immer wieder faszinierend. der zündende funk von mollono.bass, der in seinem remix einen schwerpunkt auf die ausdruckstarke stimme legt. die lübecker artenvielfalt macht ihrem namen schließlich alle ehre, indem sie miss natnat im kontext eines verträumten, hochgradig melodiösen grooves präsentiert.

the verwunschen ep got influenced by many deep house music, tech house, but also by electronic underground music, which was not made for the club. a mixture of this and organic instruments, which are typical for his music, made the music warm and melancholic, but the cutted vocals brought a little clubby atmosphere in the track. in the bonus track >bosporus< you hear the influence of berlin tech house music. trumpets were very popular at that time in berlin. the track was only made for the club. remixes from marlon hoffstadt and matthias kick were organised, who did their own interpretation and showed some other sides of the song.

bring u up originally appeared on romans blackmale label in 1995 as a rumbling slice of new jersey garage complete with gospel samples and romanthony collaborator the trojan horse. it was a bit of a cult favourite with underground heads like dj deep. it wasnt until roman completely re-produced and re-sang the song in 2000 that it fully took on anthem status. out went the heavy kicks and hypnotic moods and in came james brown horn stabs and a live beat that sounded like bernard purdie had joined him for the session (the drums were actually provided by roman himself). the result was an instant club hit with everyone from pete tong to francois kevorkian that reached (a very respectable 74) in the uk national charts. on this 12 inch deetrons takes the funk vibe of romans 2000 version and toughens it up for todays dancefloors, lee webster adds a monster baseline and some serious beats. on the flip-side the original blackmale version is re-issued on vinyl for the first time as is an unreleased dj friendly edit of the 2000 version done by kevin mckay.

limited vinyl only edition (300 copies ww), brilliant analog 90s flavoured house ... decks tipp

the official biophila remix album. includes remixes by omar souleyman, death grips, these new puritans, hudson mohawke and matthew herbert, all of which have been specially mastered for this release by grammy-nominee mandy parnell. an emphasis was placed on making the album a cohesive whole, and the remixes selected accordingly from a multitude of potential candidates.

mit dem großartigen funk-hop-song >heal< erscheint im november die debuetsingle von the child of lov, einem vermeidlichen newcomer, dessen wahre identitaet bislang nicht gelueftet wurde.

the legendary 1969 beatles album - remastered from the original stereo analogue master tapes, pressed on heavyweight 180 gram vinyl.

part eight of the remix series for tracks from björks >biophilia< album brings us reworks by these new puritans and the slips. includes code for free mp3 download of these tracks.

yoshiki tsuchiya aka miruga offering 2 deep numbers. put the needle on the record when the song beats go like this

following the great reception of hiverned 01 here is the second installment of hiverns edit series. in the a side, tbs >invitation to love<, a highly anticipated track that is finally released after becoming a fixture in john talabots sets. based on twin peaks osts >laura palmers theme<, the track rephrases angelo badalamentis clas- sic from an acid house perspective. adding analog rhythms and a crispy bassli- ne to the ethereal chords of the original composition, this refix manages to keep the dream-like atmospheres of the song while transforming it into dancefloor- ready groove. the idea is simple, the results are magic. on the flip, marc pinol repeats appearance on the series revamping some lost australian minimal-wave track. in the vein of his previous >wheels< edit, the track conjures gloomy atmospheres and sparse rhythms with gritty synth melodies. on the top of it, the barcelonian producer adds dialogues from spanish cult art-house film >arrebato< (hence the title) multiplying the obscure ambience of the tune. once again, the release comes in a limited edition 10 inch wrapped in a handmade silk-screened sleeve. no digital and no-repress.